![]() ![]() He also said that he would like to continue to create stories where the unexpected becomes terrifying, before AI can learn to imitate that. The artist said that he feels threatened by it as a professional, and worries that manga will eventually be drawn using AI technology. That one is good just for the sheer batshit insanity. ![]() Blackbird, Gentle Goodbye, and Dissection Chan are very unnerving. ![]() Junji Ito also talked against the use of AI-created art. Many of Ito’s all time greats are from earlier in his career, but at least half of the stories in Fragments are pretty special. He also said that designing individual illustrations is a very rewarding job, as the deadlines and load of work for creating manga are tighter. In addition, Ito said that if he were to receive another offer to work on Magic: The Gathering he would love to do it again. In the final card, the gravestone is a normal slab, and the name is blurred. ![]() It was serialized in Nemuki between April 2013 and February 2014 as seven separate short stories, with an eighth being added for the tankbon release. Ito said that the only rejection to a first draft was for the Carrion Feeder card, which initially depicted a gravestone in the form of a cross with an English name. Fragments of Horror (, Ma no Kakera) is a Japanese horror anthology manga series written and illustrated by Junji Ito. Elesh Norn, Mother of Machines had three different initial sketches before the final one was chosen. In addition to that, there was a previous period of trial and error creating rough sketches that the artist and Wizards of the Coast went through until a final design was decided. Drawing the final illustration for Elesh Norn, Mother of Machines took Ito about three days of work. ![]()
0 Comments
Leave a Reply. |